And So It Goes

“I spoke to you in cautious tones. You answered me with no pretense. And still I feel I said too much. My silence is my self-defense. And every time I’ve held a rose, it seems I only felt the thorns. And so it goes, and so it goes. And so will you soon I suppose.” Billy Joel, from the album, Storm Front, 1989

If you haven’t noticed, I have been silent for nearly a year. It is not that I have had nothing to write about. I have been to several music events, and they were all uplifting and refreshing. I have also made some great purchases and acquisitions that I cannot wait to talk about. But in the first couple months after my last post, which was in January, there had been moments when I had an idea that could blossom into something to write, but the will was not there. Generally, I am not a person who suffers from depression. But the best way I can describe it is…depression. This began around November 8th of last year, and became increasingly worse after January 20th of this year. But I am slowly getting back to being my abnormal self.

When I finally gathered the motivation and presence of mind to write this, it was a cold and wet May day. There was nothing playing in the CD player. I heard the traffic in the distance, a few birds announcing their territorial boundaries, the hum of the fan in my PC, and the clicking of the keys as I typed. I heard my breath, sighing occasionally as I considered my words and avoided painful thoughts.

Then, just as I do now, I wanted to feel hope. I wanted to live hope. But it is difficult to hope. I think if I write, it will give me hope. But I am not so sure about that thought. I am not certain I can count on that to be true. But I must get on with it; buck up. Put one foot ahead of the other and lean forward. Press one key at a time, complete a word, hit that space bar and keep it moving. Hep, two, three, four! Hep, two, three, four!

I am thankful that there have been some awesome events to attend. And looking back I have attended quite a few. Here are some.

Music from ‘The Nutcracker’ – A Jazzy Exploration of a Holiday Classic, 2016

During the December holiday season, there was a jazzy musical event with violinist, Jamie Shadowlight, at Café Bar Europa in Pacific Beach including the usual suspects of Mikan Zlatkovich on keys, Kevin Higuchi on drums, Will Lyle on bass, and PJ Ortiz (PacificYO) on beatbox. The highlight for me was hearing Grammy nominated jazz flutist, Lori Bell.  Lori’s 2016 album, Brooklyn Dreaming, has won accolades from Downbeat Magazine, Huffington Post, and others. It was a great evening of holiday jazz, fine food, and hanging with friends.

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L to R: Lori Bell, Kevin Higuchi, Jamie Shadowlight, Will Lyle, Mikan Zlatkovich

Pre-Beatles Fair Promo Show at the Queen Bee, 2016

Between Christmas and New Year’s Eve there was a show at the Queen Bee to promote the upcoming Beatles Fair in March, 2017. The three mainstays, Dave Humphries Band, The Rollers, and The Baja Bugs performed, but in addition there were some duos and solo acts. The one that stands out for me was “Fast Heart Mart” Martin Stamper on banjo doing “Norwegian Wood”.  Another great evening hanging with friends and hearing some great 60s music. That evening, the Dave Humphries Band was the expanded 5-piece consisting of Dave Humphries on guitar, Wolfgang Grasekamp on keys, Greg Gohde on electric bass, Make Alvarez on electric cello, and Todd Sander on drums.

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Dave Humphries Band

 

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The Rollers
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The Baja Bugs

Other Performances

Sometime in January we saw Cadillac Wreckers at Proud Mary’s doing many familiar songs plus some I had never heard them do before. Dana Duplan on guitar and Dane Terry on harmonica and vocals are the main Wreckers. I did not catch the names of the drummer and electric bassist. A tight bluesy band that are always enjoyable to hear.

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Cadillac Wreckers

We have made several excursions to the Riviera Supper Club on Thursday nights to hear Liz Grace and the Swing Thing duo, consisting of Liz and guitarist, Jon Garner. Great songs from a great era, and Liz is such a versatile singer. Jon is also an exceptional jazz guitarist.

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Liz Grace & Jon Garner

One evening in February, we went to Rebecca’s Coffee to experience a rare performance of The Flip Side / The Pink Floyd Experience. They perform B-sides of hit songs from the 60s and early 70s. Todd Sander was on drums and vocals, Wolfgang Grasekamp was on rhythm guitar (used to seeing him on keys), Tom Quinn on lead guitar and vocals and Gus Beaudoin on bass and vocals. A strong unit handling songs from a variety of 60s bands and styles. Also, Dave Humphries Band played some songs as sort of a rehearsal for the Beatles Fair, where their set would concentrate on the songs of George Harrison, including his time with the Traveling Wilburys. Todd and Wolfgang (on keys this time) were part of the band along with Mike Alvarez on cello and Tom on lead guitar.

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The Flip Side
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Dave Humphries Band

It was a thankfully rainy winter and the desert wildflowers were in magnificent bloom. We made it a point in March to experience this desert splendor, and coming back from Borrego Springs we stopped at Wynola Pizza to hear Plow and to get some great pizza. Dane Terry was not with them on harmonica, but recent addition, Alex Sharps, was with them on vocals and fiddle. They also had some young fiddlers, who have been students of Alex, show their stuff on what they have learned. A truly fun evening.

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Plow

The Beatles Fair

Lineup at this year’s Beatles Fair at the Queen Bee in North Park included Francisco Gomez, The Phoenix Band, Mojo Working (featuring Scott Mathiasen), The Dave Humphries Band, The Baja Bugs, True Stories with a Ringo Starr tribute featuring Nico, and headliner Billy J. Kramer with Liberty DeVitto on drums on the Kaiserkeller Stage. There were three other stages, but we did not spend much time at these. All local acts did a fine job, but I was a bit partial to The Dave Humphries Band, who really knocked it out of the park with a George Harrison tribute, featuring songs “Isn’t It a Pity”, “All Things Must Pass” and “Beware of Darkness” from his first (3-LP) album and “Handle with Care” from Travelling Wilburys, including Mike Alvarez handling the Roy Orbison parts, among the highlights. They also did an assortment of 60s Beatles and British invasion tunes as well as some penned by Dave Humphries. This was an expanded band with Dave Humphries on guitar and lead vocals, Todd Sander on drums, Greg Gohde on bass, Wolfgang Grasekamp on keys, Mike Alvarez on cello and vocals, and Tom Quinn on lead guitar and lead/backing vocals. The Billy J. Kramer set started out promising, but he seemed to be having trouble with the monitor and he often moved off-key. For those of you who are unfamiliar with Billy J. Kramer, he toured with The Beatles on several occasions in the 60s and had a minor hit with “Little Children”. I got to meet him after his performance and secured an autographed copy of his recent CD.  Liberty DeVitto was the drummer in Kramer’s band. He had been the tour drummer for many years backing Billy Joel, but now is touring with Kramer. My better half got a photo op with him. It was a fun evening, especially hanging with good friends.

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The Phoenix Band
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Mojo Working featuring Scott Mathiasen
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Dave Humphries Band
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Billy J. Kramer featuring Liberty DeVitto on drums
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True Stories featuring Symea Solomon and Normandie Wilson
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True Stories featuring Nico as Ringo Starr

Baja Bugs at Riviera Supper Club

I ventured out to see The Baja Bugs at the Riviera Supper Club sometime in March (or was it April?) with friend Randall Cornish. We also met up with George Rubsamen while there. The Bugs not only covered Beatles music, but also other 60s bands such as Rolling Stones, Kinks, Zombies, plus some self-penned songs. In great form, as usual.

Revival of the Singer-Songwriter

Produced by Ken Rexrode, March 26, at the Belly Up in Solana Beach. Hosted by Whitney Shay, with performances by Whitney Shay, Wish & The Well, The Moves Collective, Mimi Zulu, Karina Frost and the Banduvloons, and Taylor John Williams. This was a great show with a variety of music styles performed by amazing people. For me, the standouts were Whitney Shay, and The Moves Collective, both of whom were winners at the 2017 San Diego Music Awards.

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Wish & The Well
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Taylor John Williams
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Whitney Shay
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Karina Frost and The Banduvloons
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Mimi Zulu
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The Moves Collective

Spring Harp Fest

This was my third or fourth time to attend the harp fest, at Harry Griffen Park in La Mesa, held this year on April 4. Performers were Phillip Fauquet with Chet Cannon and the Committee, Karl Dring (replacing Jeffrey Joe Moran, who could not make it due to an injury), Billy Watson, John Clifton, Eric Von Herzen, Harmonica John Frazer, TJ Klay, and headliner Kellie Rucker accompanied by Robin Henkel on guitar. The highlights for me were the Billy Watson and Kellie Rucker sets. Kellie used to reside in San Diego but now lives in Florida. It was a beautiful day for music in the outdoors.

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Phillip Fauquet with Chet Cannon and the Committee
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Karl Dring
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Harmonica John Frazer
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John Clifton
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Billy Watson
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Eric Von Herzen
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Kellie Rucker accompanied by Robin Henkel

Mundell Lowe 95th Birthday

Dizzy’s hosts the birthday performances for Mundell Lowe. This year, on April 21, Mundell was accompanied by Bob Magnusson and Rob Thorsen on bass, Jim Plank on drums, Bob Boss, Jaime Valle, Ron Eschete, and others on guitar. From New York City, jazz guitarist Tony DeCaprio did a solo set, and Mundell’s step-daughter, Alycia Previn, performed with him on violin. Mundell still had his chops, providing competition for all the other players. I was pleasantly surprised when Tony DeCaprio performed. I had not known about him prior to that evening and he totally knocked me out. This was an evening of jazz mastery from some of the finest players to be found anywhere on the planet.

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Tony DeCaprio with Bob Magnusson and Jim Plank
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Mundell Lowe
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With step-daughter Claudia Previn Stasny
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With step-daughter Alycia Previn

NOTE: Mundell Lowe passed away on December 2. He was one of the greats, working with such major artists as Billie Holiday, Charlie Parker, Frank Sinatra, Andre Previn, Dinah Washington, Peggy Lee, Carmen McRae, Marilyn Monroe, Sammy Davis, Jr., Marlene Dietrich, Johnny Ray, Bill Evans, Charles Mingus, Benny Goodman, the Everly Brothers…the list goes on. He was self-taught in guitar, and became a composer and arranger of movie and TV scores and a member of NBC’s staff orchestra, playing on the “Today Show” in the 50s and 60s. He appeared on the Grand Ole Opry in the 30s. He wrote music for shows such as “Hawaii Five-O”, “Starsky and Hutch”, “The Wild Wild West”, and even Woody Allen’s film “Everything You Wanted to Know About Sex (But Were Afraid to Ask)”. Adjectives used to describe him include “versatile”, “elegant”, “sophisticated”. I consider myself fortunate to meet and talk to him at his 93rd birthday performance at Dizzy’s and again to attend his 95th birthday performance.

Carlsbad Flower Fields Blues Day

This was held on April 23, at the Carlsbad Flower Fields. We had just missed Chickenbone Slim & The Biscuits, but got there in time to hear Robin Henkel with Whitney Shay, with Troy Jennings on sax, Caleb Furgatch on bass, and Marty Dodson on drums. We have seen this configuration of artists before, and they never disappoint. It was another enjoyable outdoor performance. And we got to talk to Larry Teves (Chickenbone Slim) even though we missed his set. We also spent time walking about the variety of beautiful flowers on display.

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L to R: Marty Dodson, Whitney Shay, Caleb Furgatch, Robin Henkel, Troy Jennings

Adams Avenue Unplugged

This year at the Unplugged event on April 29, I finally got to see Marie Haddad perform, as well as Sven Eric Seaholm. Both are quite talented performers as well as capable songwriters. Marie is a very expressive quality singer and keyboardist. She did some self-penned songs as well as covers, leaving me wanting to hear much more. She will be releasing a new album later in the year and I will be in line to obtain one, for sure. Sven did an acoustic guitar set, but the environment was not conducive to a musical performance. The Adams Avenue Business Association needs to rethink using that noisy location with poor acoustics as a venue. However, we were up close to enjoy his covers of 60s and 70s songs, along with some self-penned songs. We ended the day at DiMilles’ Pizza to hear Robin Henkel doing a solo country blues set followed by the Dave Humphries Band, which was a three-piece consisting of Dave on vocals and guitar, Greg Gohde on bass, and Mike Alvarez on cello and backing vocals. I have written much about both in the past, and cannot add anything more regarding their prodigious talents. After the Dave Humphries set, we decided to leave the Unplugged event and headed over to the Riviera Supper Club to hear some twang with Three Chord Justice before calling it a night. This was the last time for me to hear the band with guitarist and long-time member, Jeff Houck. Jeff has since moved on to other ventures.

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Marie Haddad
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Sven Eric Seaholm
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Robin Henkel
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L to R: Dave Humphries, Greg Gohde, Mike Alvarez
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Three Chord Justice

Six String Society – 27 Club

The Six String Society, at the Belly Up on April 30, presented a tribute to the artists who died at the age of 27. Among the members of the 27 Club covered in this production were Robert Johnson, Jim Morrison, Brian Jones, Janis Joplin, Jimi Hendrix, Curt Cobain and Amy Winehouse. Taylor John Williams did a brief set to warm up the crowd. Then the fun began. Beginning with a tribute to country blues legend, Robert Johnson, presented by local country blues legend, Robin Henkel, a slide presentation created a multi-media environment as Robin told the mysterious story of Robert Johnson, playing some of Johnson’s classic songs as well as other country blues songs. Following this informative set, Rock n’ Roll Hall of Famer (with Steve Miller Band) guitarist Greg Douglass and singer Louis Patton performed a tribute to Brian Jones of The Rolling Stones. Then Gregory Page did a musical introduction to guitarist Jimmy Patton with a tribute to Jim Morrison of The Doors. The next 27 Club member was Janis Joplin. For this set, the phenomenal Casey Hensley sang Janis’ songs accompanied by a band fronted by Greg Douglass on guitar and Johnny Viau on sax, with Evan Caleb Yearsley on drums and Mark Campbell on bass. I kept looking up to see if the Belly Up roof was still intact after hearing Casey tearing it up. Next was a tribute to Curt Cobain of Nirvana by Canadian/San Diegan alternative band, Sister Speak, fronted by Sherri Anne on vocals and acoustic guitar, Jacob (Cubby) Miranda on bass, and Zach Guglin on drums. Greg Douglass also joined in on electric guitar. I really liked their sound. Sister Speak is another San Diego Music Awards winner. They were also joined by Jimmy Patton and Taylor John Williams on their last Nirvana song. For the Amy Winehouse tribute, Whitney Shay literally was the incarnation of Amy, with her hair style, red flower in her hair, and voice. Whitney was backed by her band, The Hustle and accompanied again for some songs by Greg Douglass. This led into the final tribute, for Jimi Hendrix, with Greg Douglass doing some pyro techniques on guitar, accompanied by Mark Campbell on bass and Evan Caleb Yearsley on drums. Vocal duties for Jimi’s songs was handled by Louis Patton. And, of course, all performers gathered on stage for the last song. It was a tremendous night of legendary music and fantastic performers.

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Taylor John Williams
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Robin Henkel: tribute to Robert Johnson
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Greg Douglass and Louis Patton: tribute to Brian Jones
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Gregory Page
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Jimmy Patton: tribute to Jim Morrison
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Casey Hensley with Greg Douglass (guitar), Johnny Viau (sax), Evan Caleb Yearsley (drums), Mark Campbell (bass): tribute to Janis Joplin
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Sister Speak with Greg Douglass: tribute to Curt Cobain
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Shay and The Hustle, featuring Whitney Shay performing a tribute to Amy Winehouse

Mother’s Day at Urban Solace

We went to Urban Solace for their bluegrass brunch on Mother’s Day, May 13. Plow, represented by a trio of Doug Walker on bass, Jason Weiss on banjo and a guest guitarist/vocalist that I cannot recall – that’s what I get for not writing this as soon afterward as I should have. Chris Clarke, Mark Markowitz, Dane Terry and Alex Sharps were not available as they were celebrating Mother’s Day and if I recall correctly, Chris was also ill that day.

Joshua Tree Music Festival May 18-21

Prior to the music festival, Todo Mundo had mentioned via a Facebook post by Jamie Shadowlight that they were giving away two free tickets to the festival and all one had to do was to give the reasons why they thought they were deserving of the tickets. On a lark, I responded. Little did I know that I would win. I was not out of town but had not reserved those days as vacation days. I then got an email from Todo Mundo that they wanted additional information in case I won. I had not yet responded when Jamie told me I won the tickets and needed to get this info in ASAP. I had to quickly request the days off and then responded. The tickets would be at the front gate for the festival. I was amazed. These are $240 tickets each! I booked the hotel using my points. So, the only cost to us was food and gas, plus anything else we wanted to buy. It was an awesome experience with several performers from around the world. That first evening began with Canada’s Sasha Rose doing a DJ set followed by local artist, Chris Unck with his high desert band. Chris’ music reminded me of the German space rock of the 70s. It was an instrumental set, and they performed as the sun was setting. Todo Mundo, including Jamie Shadowlight, was the featured artist of the evening. This was my first time hearing them and they knocked me out of my socks! How do I explain them? World music including reggae, Caribbean, gypsy, and you name it, all with a Latin flavor; with guitars, percussion, drums, bass, sax, trombone, trumpet and violin; all this with the powerful and soulful vocals of band leader, Santiago Orozco. Their performance is high energy with a powerful message of world unity and love, and all players were dressed in white. We headed back to our hotel room musically sated but anticipating more the following day. We met up with Jamie, Santiago and his wife, and others, and relaxed to the sounds of local artist, Philip Rosenberg in the background. After checking out the merchants we settled into listening to a band from Wonder Valley, The Adobe Collective, with a psychedelic Americana style, and La Inedita from Peru, with a Latin harder edged pop-rock style throwing in a bit of Spanish rap. For the sunset performance, Kraak and Smaak from Netherlands did a disco/pop-electronica set that would be suitable for a rave, complete with light show effects. Later in the evening we heard another local artist, Gene Evaro, Jr. with a funky yet folky style including roaring guitars on some songs. While there was one more performer to go that evening, we called it a night and headed back to the hotel; the desert heat had worn on us and I wanted to be ready for the next day. Our Saturday morning’s arrival was greeted by an acoustic set by Sasha Rose, who had DJed on Thursday evening. Later we heard the wonderful acapella harmonies of Sirens of Soul, who hail from all over – three female artists with beautiful voices and one guy on bass. Their music and stories were uplifting, affirming, and for us, a great way to end our time at the music festival. As we were leaving the Desert Rhythm Project was just beginning their set. We had things we had to accomplish on Sunday, so we needed to get home. Keep in mind that the music is just one (but central) aspect of the festival. There were a variety of artisans, healers, and a place for children’s activities. This will not be the last time at the festival for us. Next time, we will plan so that we can take in all four days’ music. We also learned that there was a hotel much closer where I could still use my hotel points instead of staying in Palm Springs and driving an hour each day from the hotel to the festival.

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Sasha Rose, as opening DJ
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Chris Unck and his High Desert Band
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Todo Mundo
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Todo Mundo, featuring Jamie Shadowlight
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Philip Rosenberg
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A rare photo of the Popeswami seen with Nancy Provance, Jamie Shadowlight, and another friend
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Mt. San Jacinto as seen from the Joshua Tree Music Festival
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The Adobe Collective
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Visual arts at Joshua Tree Music Festival
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Kraak and Smaak
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Gene Evaro, Jr.
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Sasha Rose with acoustic set
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Sirens of Soul
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Sirens of Soul

Art Around Adams

Art around Adams has been reduced now to one day, which this year was Saturday, June 7. First up was a performance by True Stories, including Bart Mendoza on guitar and vocals and Dave Fleminger on keys and guitar. We then walked across the street to see the tribute to Dick Van Ransom, owner of Mariposa Ice Cream, who passed away a year ago after a car accident. Dick was a huge promoter of the arts and all the street fairs on Adams Avenue. The first artist during the tribute was George Rubsamen on acoustic guitar and mandolin, who was accompanied in part of his set by Nico Peters on percussion. George’s set was primarily 60s pop and rock with an Irish flair. Next set was by The Baja Bugs doing primarily Beatles tunes but a few other 60s artists were covered. The tribute ended with The Dave Humphries Band performing more Beatles songs as well as songs by other British invasion artists and some self-penned tunes. A presentation was made by a local government official to Dick Van Ransom’s wife. We then headed back to the other stage for The Joyelles, consisting of bandleader, Normandie Wilson, on keys and vocals, Symea Solomon and Maggie Taylor on vocals, and backed by Dave Fleminger on guitar, Danny Cress on drums, and Martin Martiarena on bass. The group are well-steeped in 60s pop and soul, covering artists such as Petula Clark, Burt Bacharach, and Dionne Warwick, and more esoteric artists of the 60s, including some French ye-ye pop stars such as France Gall. There are also many songs penned by Normandie Wilson; songs that one would be surprised to find are recent and not from the 60s. Normandie, Symea, and Maggie take turns with lead vocals. This band has a vibrant sound which got a lot of people dancing at the Blindspot stage. I was surprised at the size of the crowd gathered for their music – it gives me hope that 60s pop still rules! We then ventured over to DiMille’s for some pizza with many of our friends. After dinner we moved over to the DiMille’s Beer Garden stage to hear Alvino & The Dwells with their supersonic surf music. This power trio consists of Dave Fleminger on guitar, Tony Suarez on bass and rhythm guitar, and Didier Suarez on drums. This band is reminiscent of the great surf bands of the 60s. We also ran into visual artist/drummer extraordinaire/instrument maker, Owen Burke, enjoying their set.

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True Stories
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George Rubsamen (mandolin) and Nico Peters (bongos)
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The Baja Bugs
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Dave Humphries Band
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The Joyelles
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Alvino & The Dwells

Bar Pink CD Release Party for The Joyelles & Alvino & The Dwells

I attended the CD release party for The Joyelles and Alvino & The Dwells at Bar Pink on June 9th. This was a well-attended show, with The Joyelles doing the first set and Alvino & The Dwells doing the second. All that was said about these fine bands regarding their performances at Art Around Adams can be repeated here. While enjoying the music I ran into many familiar faces. We all had a great time.

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The Joyelles
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Alvino and The Dwells

Other Shows Attended in June

Once again, we made our pilgrimage to Rebecca’s Coffee in South Park on Sunday morning, June 11, to hear The Dave Humphries Band. On Thursday, June 15, we celebrated Mark Markowitz’ birthday at the Riviera Supper Club listening to Mark play drums for Liz Grace & The Swing Thing, which was a four piece that evening with Mark on drums, Liz Grace on guitar and vocals, Jon Garner on electric guitar, and Doug Walker on bass. Later, on June 17, my son and his girlfriend accompanied us to Wynola Pizza to hear Three Chord Justice with an acoustic set, featuring their new lead guitarist, Alex Watts. Alex has played with the band on many occasions when Jeff Houck was not available, but since Jeff has left the band Alex has become a full member. Another fun evening with great music.

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Liz Grace & The Swing Thing

 

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True Stories
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Plow
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Three Chord Justice

The Music Box

We had an opportunity to hear Todo Mundo at The Music Box on June 16. When we found out that The Moves Collective would also be playing we just had to go. We had dinner at Buon Appetito, just a few blocks away from The Music Box. While standing in line to get in we ran into Carmelia Toot Bell. Little did we know that Carmelia would be performing later that evening. Soul Brigade opened the show with some high energy electric blues and funk. They were followed by The Moves Collective performing some high voltage Americana. Todo Mundo, featuring Jamie Shadowlight on electric violin and on a few songs Carmelia Toot Bell on vocals. It was another uplifting evening, with Todo Mundo bringing it to a beautiful conclusion.

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Soul Brigade
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The Moves Collective
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Todo Mundo

Revival of the Singer Songwriter

June 18 at the Belly Up in Solana Beach, Shay and The Hustle, Greg Douglass, Israel Maldonado with Dante, Patric Petrie and Jillian Calkins, Shane J Hall Trio, and Steph Johnson with Rob Thorsen put their talents out there to bring on another wonderful evening with a variety of music styles. Patric Petrie and Jillian Calkins have joined forces to present a world folk music duo with an emphasis on Irish and French styles and culture. Their voices blend beautifully. They are now going by the name, J’Adore. They are planning a musical tour of France sometime next year. Shay and the Hustle, with vocalist Whitney Shay, provided a set of funky electric blues that was truly invigorating. There were some great guitarists at this event: Greg Douglass, Israel Maldonado and Steph Johnson. Douglass presented more of a hard-edged blues rock style reminiscent of Clapton, Page, and Hendrix. Maldonado provided acoustic stylings with a Latin flair. Johnson played a funky jazz set of originals with an uplifting, socially conscious theme. Shane J Hall Trio was a new treat for me, with a bluesy Americana style. It was an enjoyable evening of music.

A bit about the Six String Society/Revival of the Singer Songwriter events at the Belly Up, and now the Wednesday night events at Tio Leo’s near Old Town as well as the long-standing Fallbrook open mic events. These are organized and produced by Ken Rexrode. Ken has put tons of time and energy into promoting and supporting music and musicians in San Diego County. I highly recommend any of these events as well worth your time to experience.

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Greg Douglass
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Patric Petrie (l) and Jillian Calkins (r), aka J’Adore
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Israel Maldonado (l) with Dante (r)
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Steph Johnson and Rob Thorsen
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Shane J. Hall Trio
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Shay and The Hustle

Cirque Du Soleil Beatles Love, June 22

The Beatles. The Mirage Hotel, Las Vegas. Cirque du Soleil. Breathtaking. The Beatles’ music and the wizardry of George Martin. Superior talent and skill. What more is there to say? We attended this for my wife, Nancy’s birthday, which was June 22. It was Love.20170622_232151490_iOS

The Hollywood Project prerelease party at Rebecca’s Coffee, June 25

Representing The Hollywood Project were Dave Humphries, Greg Gohde, Mike Alvarez, and Wolfgang Grasekamp. This was the San Diego prerelease party for Olympic Boulevard, the second album by The Hollywood Project. If this appears to be an iteration of the Dave Humphries Band, you are correct. There were others involved in the production of this release, however, who were not available for this performance. Stephen Kalinich wrote the lyrics for many of the songs, Tom Quinn played guitar on many of the tracks, Sven Eric Seaholm played on the album as well as providing production and engineering along with Wolfgang. There are others I am probably missing, but these are the primary individuals responsible for this excellent release. After the performance, Dave Humphries and his wife Robbie Taylor, along with many of us regulars at Rebecca’s ventured down to The Station for lunch and tasty conversation.

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The Hollywood Project/Dave Humphries Band
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L to R: Mike Alvarez, Wolfgang Grasekamp, Dave Humphries, Greg Gohde
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At The Station, l to r: Randall Cornish, Popeswami, Nancy, Katy Allen, Robbie Taylor, Dave Humphries, Molly Lynn McClendon

The Garners at Riviera Supper Club, August 3

The Garners, formerly known as The Strivers, are Jon Garner and his wife, Lorelei Musique. Jon plays guitar and sings, and is an essential part of Liz Grace and The Swing Thing. Lorelei plays ukulele, guitalele, and sings. Together they dig into the music of the 20s through the 50s, with songs from Tin Pan Alley, classic pop and jazz, including a good dose of Django Reinhart and other early guitar greats. Lorelei is an accomplished vocalist with an expressive vocal style reminiscent of Billie Holiday, with a touch of Ella Fitzgerald. And, her work on ukulele and guitar compliments Jon’s playing nicely. I’ve written earlier about Jon’s excellent guitar work – he stays true to the early masters while adding his own unique twist to classic guitar jazz. It was another evening of great food and great sounds.

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The Garners: Lorelei Musique and Jon Garner

August through December

We visited the places we regularly frequent such as Wynola Pizza, the Alano Club in South Park, Riviera Supper Club, and Rebecca’s Coffee to see the bands we like to see such as Plow, Three Chord Justice, Liz Grace and The Swing Thing, and the Dave Humphries Band.

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Cadillac Wreckers at Proud Mary’s

 

 

Dave Humphries & Mike Alvarez with friends Mike Evans (left circle) and Will LaFond (right circle), last time at Rebecca’s Coffee on Sunday morning before they close

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Plow at Wynola Pizza: Doug Walker, Jason Weiss, Alex Sharps, Chris Clarke, Dane Terry

Lestat’s West on Adams Avenue, October 13

We attended a performance by Marie Haddad at Lestat’s West where she played songs from her latest album, “Stories from Atlantis.” I consider this album to be an all-time favorite of mine. While over the years I have thought highly of many releases by many local artists, this year there were three that were in my opinion jaw-dropping excellent, and this is one of the three. I will have more to say about the three albums in a later post. Of course, the songs sounded different at Lestat’s because it was just Marie on her keyboard, but her beautifully emotive voice and the exceptional lyrics and songwriting made for an enjoyable performance. Following Marie was Isaac Cheong on solo voice and guitar. His self-deprecating humor and sensitive songwriting has left me wanting to hear more. Isaac was followed by a husband and wife duo from Tucson, Arizona (originally from Chapel Hill, North Carolina) calling themselves Birds & Arrows. This was a guitar and drums performance with Pete Connolly on drums and backing vocals and Andrea Connolly on guitar and lead vocals. They wrote their own music, which was a mix of Americana and hard-edged alternative rock. Andrea was amazing how she held up the rhythm and lead to make this performance sound like a full band. In talking with them at the break, they said they really like playing in San Diego and plan more gigs here in the future. I surely hope so. We did not stay for the other two artists performing that evening, Lisa Sanders and Mary Scholz. I am sure they would have been worth our time, but it was getting late after a tiring day.

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Marie Haddad
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Isaac Cheong
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Birds & Arrows

Rebecca’s Coffee Farewell Concert, December 16

On a sad note, after more than 25 years providing coffee, scones, and a venue for music and poetry as well as promotion for animal rescue, Rebecca’s Coffee is closing at the end of the year due to new ownership of the building and a doubling of the rent. A farewell concert was held at Rebecca’s on December 16. This featured several artists who had been regulars performing at the coffee shop over the years. Included were Dave Humphries accompanied by Mike Alvarez, and Tom Baird and Friends. A bittersweet evening.

 

 

San Diego Troubadour Holiday Party and Fundraiser 2017, Grassroots Oasis, December 17

While my better half suffered from the flu, I attended the Troubadour Holiday Party meeting up with friends and enjoying the music of Bayou Brothers, Tom Baird and Friends, Dave Humphries and Mike Alvarez (and featuring Owen Burke on drums, and with Liz Abbott on vocals on “Bluebird”), Robin Henkel with Whitney Shay, Asspocket of Whiskey, Nina Francis, among others too many to mention. All were in the holiday spirit and it was great seeing everyone and hearing some wonderful music.

 

 

The Nutcracker: A Jazz Exploration, Café Bar Europa, December 22

And here we are full circle. Performed by Jamie Shadowlight on electric violin, Mikan Zlatkovich on keys, Will Lyle on string bass, Monette Marino on percussion, Russell Bizzett on drums, with special guests PacificYO on beatbox, Carmelia Toot Bell on vocals, and Albert Lin throat singing. It is exactly as described, Tchaikovsky’s Nutcracker put into a jazz format with tons of wild improvisation and experimentation; much was done impromptu by super talents who can pull this off with ease.  Plus, it is always a joyful event to be with Jamie. It is beginning to feel a lot like Christmas.

 

 

In Conclusion

Despite the flu and other infirmities, despite a government gone insane, despite a monstrous work load this past year, and despite fighting a downer regarding the uncertainty of our future and retirement under the current American leadership, this has been a good year for music and for experiencing music in San Diego. In fact, the music is what has kept me going. I have made many friends in the music community, and many of those friendships have grown deeper in the past year. As we look to 2018, I can know that despite what natural or human disasters occur in the next twelve months, and despite what calamities our government throws at us, we have the joy of music and of friendship, and that will get us through.

Before we leave 2017 I will be writing a second and hopefully shorter post regarding some recorded music discoveries during the year that I would like to share with everyone. In the meantime, try to avoid this nasty flu that is going around and value one another! Happy Holidays!

 

A Slice of My Life Working Backwards

“If the doors of perception were cleansed
Every thing would appear to man as it is,
Infinite.”
William Blake

“There are things known
and there are things unknown,
and in between are the doors.”
Jim Morrison

“Between thought and expression
lies a lifetime.”
Lou Reed

We keep going to music events and I then get caught up in the weeds and do not have time to write about them, let alone all the other things I’ve planned to write about. But there’s a lot swimming about in this old head that needs to come out. I will dispense with recent events and then move on to other important matters.

Across the Street at Mueller College – May 1, 2015

Friday night we went to the Across the Street music event at Mueller College to see Connor Correll with Q Ortiz, Red Willow Waltz, and Jamie Shadowlight. It was an evening of peaceful, spiritually uplifting, and thought provoking acoustic music. And it was the first time I had seen Jamie play guitar and sing! In fact, seeing her play guitar and sing her songs was my original motivation for going.

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Jamie Shadowlight with Mandi Griggs and Jasmine Commerce

Jamie was up first. For the first few songs she had a friend, Jasmine Commerce, accompanying her on violin, and Mandi Griggs (a member of Red Willow Waltz) kept rhythm on cajon, while Jamie played acoustic guitar and sang. Then Jamie went solo voice and guitar for the remainder of her set. While Jamie is noted for her artistry on violin I don’t understand why she has not done more with vocals. She has a breathy, ethereal, sensual alto vocal style. The lyrics to her songs are pensive, a bit metaphysical, and observant. While she claimed to be just learning guitar, she is obviously a quick learner. The mood was relaxed, with a room full of loving friends, so everything built upon everything else to create a resplendent ambiance.

Connor Correll with Q Ortiz

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After Jamie’s set, Connor Correll with Q Rich Ortiz was up. Connor played guitar and sang while Q played cajon. Connor continued the mood with songs of a spiritual nature, some of which pondered our purpose in life, some bearing much soul searching, and some full of joy. They were beautifully written, and beautifully sung. Q’s rhythm patterns complimented the rhythm guitar; a very enjoyable duo.

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Red Willow Waltz with Jamie Shadowlight

The final set was Red Willow Waltz, consisting of Vanessa Contopulos on vocals, guitar, and ukulele, Mandi Griggs on cajon, and Laura Rose Anderson on vocals, ukulele, guitar, and harmonium. Jamie joined them on violin. This set was of a lighter, more exuberant nature. Vanessa’s clear, sweet vocals blended perfectly with Laura’s robust, emotive singing style. Both did solo vocals that were outstanding. I noted a bit of country twang to some of Laura’s vocals, especially when she played guitar. It made me wonder whether she had ever fronted a country band at some point. Vanessa and Laura switched back and forth from guitar to ukulele, depending on the song. For the final two songs Laura played harmonium and Vanessa played guitar. All songs were originals, penned by either Laura or Vanessa, with one dedicated to what was happening in Baltimore this past week. Vanessa and Laura are music therapists by profession and some of their songs tapped into that experience.

This was an uplifting way to spend Friday evening after a hectic work week.

Adams Avenue Unplugged

Going back a week, we had planned to spend the entire weekend of April 25 and 26 at Adams Avenue Unplugged. As fate would have it, our first destination was to the veterinarian’s office where we unexpectedly had to drop off our little doggie for observation and treatment. Once that was taken care of we headed to the event. With 25 stages and over 170 performances it was hard to decide who to see, but prior to the event I had planned to see HarpO first, and that was nixed because of our dog’s situation. (Due to HIPPA laws I cannot reveal her illness, … or is that just for people?). The day was unseasonably cool and windy. It was overcast and it tried to rain for a few seconds here and there throughout the day.

MohaviSoul

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So next on the agenda was the bluegrass band, MohaviSoul. This was our first time seeing this group. It was a very enjoyable set with a mix of covers and originals. I really liked their cover of “Midnight Train” but unfortunately it is not on either of their CDs. Talking with the band afterward I found that the fiddle player, Dan Sankey, is from Connellsville, PA, which is close to where my ancestors settled before my grandfather moved to the Washington, PA area. And, the guitarist, Mark Miller, was originally from Wheeling, WV, where my oldest brother now lives and within minutes of where I grew up in PA. Small world. Other members include Randy Hanson, Jason Weiss, Orion Boucher, and Will Jaffe.
During the MohaviSoul performance, we got a call from the vet that our dog, Sandy, was ready to go home. So, we rushed to the vet’s, then home, and then back to Adams Avenue. We parked close to where we had parked earlier. We were so lucky to find this space!

Joe Marillo

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We were hungry, so we headed to the end of the block from Kensington Park where MohaviSoul had played, to The Haven Pizzeria for lunch, where Joe Marillo would be performing. After getting seated, Joe spotted us and came over to talk. He will be celebrating his 82nd birthday in late May. We chatted about aging, keeping a positive perspective, and some of the books he was reading. Somehow we got on to the subject of MSNBC and the fact that we both loved to watch the Rachel Maddow Show. Joe is known as “the Godfather of the jazz scene in San Diego”. He has won several awards, including one for lifetime achievement and another from the NAACP for his efforts in hiring African-American musicians. In the 60s he worked with Stan Getz among others. I am told that in the 50s he once bought Charlie Parker a drink at a bar next to Birdland.
Joe was performing solo tenor sax and flute that day, with a backing tape of a variety of standards including a few by one of his favorites, Antonio Carlos Jobim. His improvisational skills on tenor sax are without equal. He did not play his flute until the end of his set when he realized he had not played it, and so he did one more song with flute. There will be a musical birthday celebration featuring Joe at Dizzy’s later in May and we hope to attend.

Dead Rock West

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We then headed down to Java Joe’s to catch Dead Rock West. It was packed but we were lucky to find a couple seats together. We got there in the middle of their set. They were an acoustic duo for this performance, consisting of Frank Lee Drennen on vocals and guitar and Cindy Wasserman on vocals. All songs we heard were originals. Frank has a dynamic presence and plays his acoustic guitar hard, and loud! Both Frank and Cindy are commanding vocalists and their harmonies are awesome. I would love to hear their full band some time.

Gregory Page

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We stayed at Java Joe’s for the next performer, Gregory Page. I found it curious when this sharply dressed gentleman set up a gramophone and placed a 78 rpm on the spindle. Gregory played guitar, “gramophone”, sang, read poetry and told stories. Smooth is a word that keeps coming up in my mind when I try to find words to describe his performance. Although many of the songs were penned by Gregory, they were done in styles from before WWII. He played the gramophone while reading his poetry, and on one song he segued to the gramophone, incorporating it into the song – all seamlessly done. He told stories about his family, about his visit to the hinterlands of Australia, and tied them in with his music. He was accompanied by a drummer, with only a snare and high hat. Musically, the style moved from early 1900s to more modern folk and pop styles. His guitar playing was subtle and refined, and he actually did some slide work on one song, all with masterful execution.
I had planned to see Joey Harris after this, but we had to get home to take care of the dog, so this was the last set for us that day.

The Western Collective

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We returned Sunday to a much warmer and sunnier day. And our dog appeared to be much better. Western Collective was first on the list, at Adams Park at 35th Street. I have written about Western Collective before. They are: “Fast Heart” Martin Stamper on guitar, banjo, and vocals; Justin Werner on guitar, harmonica, and vocals; Trent Hancock on bass and vocals; Chad Farran on cajon; and Jamie Shadowlight on violin. To call them simply a bluegrass band would be myopic. The group embraces a variety of styles, penned by several of the band’s members who bring with them their own unique musical and life experiences. There was one cover, which also happens to be the only cover song on their CD, Leonard Cohen’s “Anthem”. There is always a happy, relaxed vibe when they play.

Caitlin Ashley

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After hearing The Western Collective, we dived into El Zarape for some tasty Mexican cuisine. They were packed, so it took a bit longer than we expected. However, the next group on our agenda was Robin Henkel and Whitney Shay, and Lestat’s was running a little off-schedule, so when we arrived there Robin, Whitney, and Caleb were still outside, taking selfies. It was another packed house, listening to Caitlin Ashley. Just as we did at Java Joe’s we watched for someone to leave and then snatched-up their seats. So, we got a chance to hear this young and relatively new singer, with a distinct style and interesting lyrics. I was glad to see so many in the packed room being supportive. Caitlin was accompanied by Mason James on acoustic guitar, and three unknown persons on electric bass, cajon, and ukulele. She sang and occasionally accompanied herself on ukulele. She has a very nice stage presence, great song writing and a pleasant vocal style. I think this event was a terrific boost to her ego. She appeared to be authentically amazed at the positive response to her songs. Sorry for the horrible photos of Caitlin Ashley and  Robin Henkel & Whitney Shay – just haven’t got the hang of taking them at Lestat’s.

Robin Henkel with Whitney Shay

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We stayed right where we were to hear the next group …someone who we have seen and enjoyed on a multitude of occasions…the peerless Robin Henkel with the lovely and dynamic Whitney Shay, accompanied on double bass by the entertaining Caleb Furgatch. Either I have a very short memory or this was the best performance I have seen by these three. While a lot of the songs we have heard them do before, there was something about them that sounded fresh and new. Perhaps subtly different arrangements or maybe it was just the improvisation was exceptionally hot? All I can say is that this was an exciting performance. Caleb is so much fun to watch on bass as he closes his eyes and gets deep into the music and keeps everything moving in the right direction. Robin continues to convince me that he is thee authority on Delta/country blues guitar. And how Whitney can make gutsy, gritty blues and r&b singing sound pretty and nasty all at once is inspiring. We walked out at the end, totally energized.

Blue Frog Trio

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Left to right: Dave Keefer, Patrick “Blue Frog” Ellis, Jackson Patrick

Next stop was the Air Conditioned Lounge. I love names like this. At one time I considered writing a novella titled “My Generic World”, and the Air Conditioned Lounge would fit right in. However, what we heard there was not generic. I had first heard Blue Frog Ellis in an electric blues band at the 2014 Spring Harp Fest. He is a dynamite blues harpist. What I didn’t realize is that he is just as good on guitar. Since Lestat’s schedule was running late and it was a bit of a walk to the AC Lounge, we did not see the beginning of the set. But what we saw confirmed my memory from the Harp Fest. What we had was Patrick “Blue Frog” Ellis on vocals, guitar and harmonica, Dave Keefer on vocals, acoustic guitar and resonator, and Jackson Patrick on bass and vocals. They played a mix of 70s rock standards such as the Allman Brothers’ “Midnight Rambler” and “Melissa”, as well as some originals and blues standards. All three sang, and Dave and Blue Frog took turns with rhythm and lead – both being accomplished players. After their set we got to talk to the guys. I know that Patrick “Blue Frog” Ellis and Jackson Patrick are US Navy Vets; Blue Frog was a Seal. Not sure if Dave Keefer is a Vet, but the band was promoting their work with the Wounded Warriors Project, in helping to teach music to disabled Vets. Some great guys, there. The Blue Frog Band will be performing at “Gator by the Bay” at Spanish Landing Park in San Diego later this month.

Bart Mendoza & True Stories

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I have wanted to see True Stories for a long time, but it never seemed to work out with my crazy work schedule taking me out of San Diego whenever they were playing. Finally, I got to see what I have been missing – staying in our spot at the AC Lounge. True Stories’ lineup consists of: Bart Mendoza on vocals and guitar; David Fleminger on vocals, guitar, and keyboard; Danny Cress on drums; Orrick Smith on bass; and latest addition Normandie Wilson on vocals and keyboard. Now, I have seen Normandie, Bart, and David in Casino Royale and in other musical arrangements, but I had never realized that they could rock out like they did! This was such a pleasant surprise. They covered many songs from great 60s bands like The Beatles, The Byrds, The Yardbirds, The Zombies, The Who, and others. They also did some originals that were arranged in a style much like the mid-60s rockers. In fact, I tried wracking my brain to figure out who they were covering only to find they were covering themselves. I never realized David played keyboards, and could play in such a wicked 60s psychedelic style, akin to Ian Bruce-Douglas of Ultimate Spinach. His guitar lead work was also quite impressive. Bart took most of the lead singing parts and was right at home whether covering The Who, The Beatles, or anyone else.

Blue Frog Ellis stuck around to hear them. He was quite impressed, also. They really kicked some ass and got people dancing! Suddenly I was transported to The Aftermath coffee house near Claysville, PA circa 1969 and my teenage years.
Now, I understand this event is titled “unplugged” and with the exception of some amplification for electric bass and vocals, most of the acts we saw complied with the “unplugged” concept. So how did True Stories sneak onto the roster with a fully electric band? In my mind it is exactly what 60s rock was all about – defying the rules! So if I was asked about this, my response would be, “The kids are alright”.

Other Thoughts – Bits and Pieces

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To balance out my musical experience, I have obtained a couple new prog metal releases on the Sensory CD label, Iris Divine – “Karma Sown” and Jaded Star – “Memories from the Future”. Iris Divine is from northern Virginia, playing in a metal style similar to Pantera, Alice in Chains, and even a hint of Dream Theater. They seem to reach beyond just heavy metal to more of a progressive synth-based metal style that is edgy and exciting with a fantastic male vocalist who actually sings. Jaded Star is a Swedish prog metal band with an amazing female vocalist, Maxi Nil, and virtuoso guitarist, Kosta Vreto. This is a strong debut album with lots of power and emotion.

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I also landed a near mint copy of Nat Freedland’s double LP documentary “The Occult Explosion” from 1973. It will fit nicely with my other LPs in the same genre by Barbara the Gray Witch, Louise Huebner, Anton LaVey, Coven, Jacula, Antonius Rex, Abiogenesi, Paul Chain, Aleister Crowley, Charles Manson, The Manson Family Jams, and Lucifer/Black Mass (Mort Garson). I guess Will Jima also fits into this category with his two spoken word albums about “the UFO people” and the end times, with electronic sounds as background. All make for a lovely trip into the dark side of human imagination. Nothing you would want to have as a steady diet. Some of these are definitely not for the faint of heart. Others are as funny as Hell (no pun intended). Note that these recordings are not in any way like the death metal and black metal groups that flourished in the late 80s and continue to spread a very depressing or destructive message, often tied to various hate groups.
This leads nicely as an introduction, or advertisement, for the future blog entry I have planned to do for several months on “The World of Wyrd”. I plan to discuss the area of pagan folk, wyrd folk, and perhaps some other musical phenomena that are related tangentially.