Odzenendz

IMG_3239“You’re walking meadows in my mind,

Making waves across my time,

Oh no, oh no.

I get a strange magic,

Oh, what a strange magic…”

Jeff Lynne, Electric Light Orchestra, from Face the Music LP, 1975

 

Well, it is time.

I have been absent since early January for many reasons. First, I have been freakin’ busy with work, out of the area nearly every week after January and so busy that there was no time to seek out venues while on the road. In fact, some of the locations were small towns where the word “art” has been forgotten. January was a slow work month, with all scheduled trips getting cancelled. I took advantage of this situation and used my time to see some amazing performances by local artists. This continued through February and March although I was on the road a great deal of the time. When I could, I got out there. However, since my time was limited I did not get a chance to write anything except for brief comments on Facebook.

And then a horrible thing happened. While I was in Oklahoma my better half was tripped by our blind dog going down the stairs in our home. She fractured her shoulder and wrist, eventually having to undergo surgery on both breaks. So when I was home, I was mostly helping her with things she could not do with just one hand. Hence, there were even more delays to get what you are reading now out the door.

Now that the healing process is underway, and I am off the road for a few days, I have some time to report to you what has been going on in the music world of the Popeswami. Allow me to summarize these dignified proceedings. New Years’ Day, we had breakfast at Urban Solace while taking in a performance of the innovative old-time/bluesy folkies, Plow. I talked about this in my last post. On January 15 we made the trek to O’Sullivan’s Irish Pub in Carlsbad to see the Irish band, Brogue Wave, including our friend and Irish fiddler supreme/vocalist, Patric Petrie. They were a trio that evening with David Lally on guitar and vocals, and Jordan McKinley on drums. BTW, the Pub’s chicken boxty is simply amazing. The following day I paid a visit to Record City in Hillcrest to see legendary mod/power pop band, Manual Scan, in a rare instore performance. The band features friends, Bart Mendoza on vocals/guitar and David Fleminger on keys, as well as Kevin Donaker-Ring on lead guitar, Jarrod Lucas on drums, and Tim Blankenship on bass. The following evening found us at Lestat’s in Normal Heights to see Robin Henkel with Horns, featuring Robin Henkel on guitars, Jodie Hill on bass, Al Schneider on drums, and Troy Jennings on saxes. This may have been one of the best of this unit’s performances I have seen so far. Totally awesome American blues and jazz with informative stories by Robin.

20160101_182521392_iOS

Plow at Urban Solace in North Park, January 1, 2016

20160116_052102444_iOS

Brogue Wave at O’Sullivan’s in Carlsbad, January 15, 2016

20160116_211221926_iOS

Manual Scan at Record City in Hillcrest, January 16, 2016

20160118_050838857_iOS

Robin Henkel with Horns at Lestat’s in Normal Heights, January 17, 2016

The evening of January 22 was a magical night with Jamie Shadowlight and company at 98 Bottles. The theme of this show was Electric Ladyland. With Jamie was the JazzMikan Trio consisting of Mikan Zlatkovich on keys, Antar Martin on bass, and Russell Bizett on drums. The show also included Arnessa Rickett and Carmelia “Toot” Bell on vocals and the opening number “Paint It Black” included sitarist, Ignacio Hernandez. That version of “Paint It Black” set the tone with a mystical drone improvisational style – Jamie on electric violin fed through various pedals and wah wah to give a surrealistic feel. I thought this show was the highlight of the month for me. But the following night we were at Dizzy’s to hear the Daniel Jackson tribute. Included were some budding new artists from Idyllwild Arts Academy and the International Academy of Jazz, San Diego, plus Marshall Hawkins on bass and piano, Jamie Shadowlight on violin, Bob Boss on guitar, Charles Owens on sax, Brett Sanders on drums, and special guest, spoon player Leland “Spoonful” Collins. Another night to fly high with the music.

20160123_040654912_iOS20160123_044008559_iOS

Electric Ladyland at 98 Bottles in Little Italy, January 22, 2016

20160124_042722200_iOS20160124_053724424_iOS20160124_043236074_iOS

Daniel Jackson Tribute Concert at Dizzy’s in Pacific Beach, January 23, 2016

January 24, Sunday morning, we stopped by Rebecca’s Coffee Shop to see Dave Humphries on guitar/vocal, Wolfgang Grasekamp on keys, and Mike Alvarez on electric cello. A special treat was to hear Mike Alvarez doing some solo work, introducing some new songs he had written, and singing! Lots of 60s British invasion classics as well as songs by Dave Humphries and Tony Sheridan. Mahvelous!

20160124_180951493_iOS

Dave Humphries with Mike Alvarez and Wolfgang Grasekamp at Rebecca’s Coffee, in South Park, January 24, 2016

We were not yet musically sated for the month of January. On the 28th we were at Java Joe’s to see once again Robin Henkel Horn Band, with the incomparable Whitney Shay. This configuration included Robin on guitars and vocals, Jodie Hill (bass), David Castel de Oro (sax, clarinet), Troy Jennings (saxes), Al Schneider (drums), and of course, Whitney on vocals and whatever she could grab and shake (thankfully not me). And, following that, Robin Henkel and Billy Watson (harmonica/vocals) plus Evan Caleb Yearsley on drums were performing at Pala Mesa Resort in Fallbrook on January 31. We had been looking for a performance to take my nephew, Aaron, to see when he was in town for a medical conference and this was perfect. It was also a chance for another nephew, Craig, as well as great nephew & niece, Jereck and Devon, to experience our local talent. It was a fun way to end the month.

20160128_045050370_iOS20160128_053117970_iOS

Robin Henkel Horn Band with Whitney Shay at Java Joe’s in Normal Heights, January 28, 2016

20160130_044359926_iOS

Billy Watson with Robin Henkel at Pala Mesa Resort in Fallbrook , January 31, 2016

There were fewer times out in February, but they were memorable times. First, on February 12, at Lestat’s there was a round robin performance by Caitlin Evanson (touring violinist for Taylor Swift and beautiful vocalist), Tim Connolly (keyboards, vocals, songwriter), and Kennady Tracy (guitar, vocals, and songwriter). Each took the lead in performing with the others either accompanying or standing by. Caitlin did a superb cover of Joni Mitchell’s “A Case of You”, accompanied by Pedro Telarico on guitar, that was the highlight of the evening for me. The following evening, we went to Proud Mary’s in Kearny Mesa for some New Orleans cuisine while we enjoyed Chickenbone Slim and The Biscuits. This turned out to be a special evening. Former Biscuit, Mike Chiricuzio, joined them on bass and sang one with the band. And then it got even better when 87-year-old blues singer/guitarist, Tomcat Courtney, joined in to do a few songs, including “Hootchie Cootchie Man”.  The following week on the 17th I noted that HM3 (Harley Magsino Trio) with DJ Teelyn was performing at The Studio Door art gallery. The theme of the art displays was “crows”. The music was in the style of Mwandishi/Hancock funk-jazz from the 70s mixed with techno, dubstep, trip hop, and a bit of the avant-garde. The players: Harley Magsino (bass), Joshua White (keys), Charles Weller (drums), with Trish Nolan (aka DJ Teelyn) on turntables. The music: awesome. On my birthday, February 27, it was Chickenbone Slim & The Biscuits again, this time at Hooley’s in La Mesa. Mike Chiricuzio was still in town so he joined them again. Also on both occasions, Bruce Stewart of Little Kings was the drummer and Nick “Chowda” Walsh the harmonica player. The next morning, we made our pilgrimage to Rebecca’s Coffee Shop to see Dave Humphries, Wolfgang Grasekamp and Mike Alvarez. And that evening, we once again headed to Lestat’s to see Robin Henkel (guitars & vocals) with Whitney Shay (vocals), Jodie Hill (bass), and Toby Ahrens (drums).

IMG_3001IMG_2986IMG_2999IMG_2995

Kennady Tracy, Caitlin Evanson, and Tim Connolly at Lestat’s in Normal Heights, February 12, 2016

IMG_3013IMG_3021IMG_3031

Chickenbone Slim & The Biscuits with Mike Chiricuzio and Tomcat Courtney, at Proud Mary’s in Kearney Mesa, February 13, 2016

20160218_031548838_iOS

HM3 (Harley Magsino Trio) with DJ Teelyn at The Studio Door in North Park, February 17, 2016

20160228_062815922_iOS20160228_064056786_iOS

Chickenbone Slim & The Biscuits (with ex-Biscuit Mike Chiricuzio) at Hooley’s in Grossmont Center, La Mesa on February 27, 2016

20160228_190142045_iOS

Dave Humphries with Wolfgang Grasekamp and Mike Alvarez at Rebecca’s Coffee in South Park, February 28, 2016

20160229_031925186_iOS20160229_040640383_iOS

Robin Henkel with Whitney Shay at Lestat’s in Normal Heights, February 28, 2016

IMG_3156IMG_3117IMG_3125

Acoustic Ladyland at 98 Bottles in Little Italy, March 4, 2016

March began with another Jamie Shadowlight event at 98 Bottles. On March 4, the event this time was titled “Acoustic Ladyland”. The performers: Jamie Shadowlight (violin), Caitlin Elizabeth Evanson (violin & vocals), Mikan Zlatkovich (keys), Ken Dow (bass), Richard Sellers (drums), Pedro Telarico (guitar), and Anita Weedmark (piano), Pacifico “PJ” Ortiz Luis (beatbox), Debbie Beacham (dulcimer). The players were awesome, as usual. March was starting out to be pretty cool musically. Next up, on March 12, was The Martin Luther King, Jr. Community Choir San Diego, presenting “All ‘Bout the Blues – A Musical Celebration” at the Joan B. Kroc Theatre in San Diego. The show was produced, directed and choreographed by Arnessa Rickett, and the musical director was Carmelia Bell. Band director was Grammy award winning Kevin Cooper. The band consisted of Mikan Zlatkovich on keys, Kevin Cooper on bass, Walter Gentry on sax, Ignacio Sobers on percussion, Michael Sanders on organ and Tim “Flagg” Newton on drums. Kenneth Anderson was also on piano. The cast was huge, including the MKLCCSD Choir. The theme was the story of the development of the blues from the beginning of the country in the 1700s all the way through modern times, including gospel, jazz, r&b, and the music of Earth, Wind & Fire. An excellent production with singing, dancing, and instrumental performances tied together with the story of the blues.  March 20 we headed to Hooley’s in Rancho San Diego to hear some blues fireworks on guitar by Charles Burton, accompanied by Larry Teves (aka Chickenbone Slim) on bass and Becky Russell on drums. Burton is a rapid-fire blues player similar to Rick Derringer or the late great Johnny Winter with a bit of jazz embellishments – a unique and accomplished player.

20160313_002643342_iOS20160313_003333207_iOS20160313_004255669_iOS20160313_011229920_iOS20160313_020154109_iOS

All ‘Bout The Blues – MKLCCSD Choir, Arnessa Rickett, Carmelia “Toot” Bell, Kevin Cooper at the Joan B. Kroc Theatre in San Diego on March 12, 2016

IMG_3239

Charles Burton with Becky Russell and Larry Teves at Hooley’s in Rancho San Diego, March 20, 2016

March 26 provided the musical highlight of the month in the form of the Beatles Fair at the Queen Bee in North Park. Outside, we saw Madame Nina Leilani on keys and vocals, and Rhythm Rose Turner on drums and featuring Jamie Shadowlight on violin doing some Beatles material as well as some originals. This was an unexpected surprise, but there were even bigger surprises inside the Queen Bee. First, we got to see True Stories with a surprise appearance of Ringo Starr, er-um, a Ringo lookalike in the form of Baja Bugs drummer, Nick “Nico” Peters. Nico had all the looks, moves, and singing down perfectly and with a tight band like True Stories backing him it was a lot of fun; and excellent tribute to The Beatles drummer. True Stories were followed by The Dave Humphries Band, with original music, including a tune Dave Humphries wrote with Tony Sheridan, as well as a tune co-penned by Tony Sheridan and Paul McCartney plus other Beatles and British Invasion tunes.  The Rollers were next and did a set of early Beatles tunes. This is a young band and they are very promising. Following The Rollers came The Baja Bugs, who knocked it out of the park. If I closed my eyes, The Baja Bugs really were The Beatles and I was at the Indra Club in Hamburg. Amazing energy and tight playing, both from The Baja Bugs and The Rollers. On the Queen Bee patio was an open mic stage. During breaks we ventured out to the patio and listened to some of the hidden talent of San Diego. There were vendors inside and outside of the Queen Bee, as well as food trucks. We got to talk with John Borack, author of “John Lennon: Life is What Happens”. John autographed a copy for us. And it kept getting better. The headliner of the Beatles Fair was Denny Laine, who had been with the Moody Blues and sang their hit “Go Now”, plus was the guitarist for Paul McCartney & Wings for the full duration of Wings. First there was an interview with Denny onstage, and then he made himself available for autographs and photo ops. I took full advantage of this, and in the process found that he was particularly fond of Wings’ first album “Wildlife” which has always been my favorite. He then performed a solo guitar and vocal set of many of the songs he performed over the years, from “Go Now” with the Moody Blues on through “Mull of Kintyre” which he co-wrote with Paul McCartney and performed with Wings. He told stories between songs, and brought a quirky sense of humor to the stage.

IMG_3251IMG_3266IMG_3281IMG_3299IMG_3306IMG_3309IMG_3313IMG_3319

Beatles Fair 2016 – in order: Madame Nina Leilani (outside); True Stories with Nico (Ringo Tribute); Dave Humphries Band; The Rollers; Denny Laine & moi; The Baja Bugs; The Baja Bugs, Dave Humphries & others; Denny Laine – at Queen Bee in North Park, March 26, 2016

Due to injuries mentioned earlier, and a heavy work schedule, the Beatles Fair was the last performance I attended until Memorial Day weekend. We were taking a little ride on Saturday and noticed the time. We figured we could be at Wynola Pizza, near Julian, by the time Three Chord Justice would begin performing. We arrived shortly after they began. In this more acoustic configuration they were a four piece, with Alex Watts featured on lead guitar, and the three mainstays of Mark Markowitz on drums, Dave Preston on bass, and Liz Grace on rhythm guitar and vocals. The band was great, cranking out some enjoyable country standards, a Dylan tune, and many songs penned by Dave and by Liz. Alex was quite a picker, with some slick lead work that I especially appreciated. Mark got a variety of sounds out of a single snare, throwing in an assortment of rhythmic tricks while keeping everything on course. Dave kept a consistent bottom end, making sure the band was tightly together. Liz’s beautiful voice danced over all the instruments weaving stories with emotion and poise. This is an exceptional band. Every time I’ve seen them I have considered my time well spent and came away very gratified.

20160529_011658076_iOS20160529_025404518_iOS20160529_025445295_iOS20160529_025428305_iOS20160529_025453990_iOS

Three Chord Justice at Wynola Pizza in Julian, May 28, 2016

The following morning Dave Humphries, with Mike Alvarez and Wolfgang Grasekamp were performing at Rebecca’s Coffee in South Park. As usual, Dave was on guitar and vocals, with Mike on electric cello and Wolfgang on amazing keyboards. New were the vocal harmonies Mike added to some songs. They introduced some new songs that will be on a new Hollywood Project release sometime in the future, as well as performing a number of their standard 60s pop and rock tunes and more recent originals.

And that brings us to this moment in time, and to the end of this entry. I had planned this to be shorter on the live happenings and longer on other esoteric concerns, but due to being 3-4 months overdue, I am keeping it to the happenings. Stay tuned for my other concerns in another post that will be soon to follow.

Before I go I wanted to mention the passing of San Diego’s Godfather of Jazz, Joe Marillo. Joe founded the non-profit San Diego Society for the Preservation of Jazz, hosted a jazz radio show, gave saxophone lessons and mentored many young jazz musicians. He had quite a history, working with Stan Getz, Joe Henderson, Sonny Rollins, and Sonny Stitt before settling in San Diego. Before a performance at The Haven Pizzeria during one of the Adams Avenue events, Joe spotted me and came over to visit me and my wife while we were waiting for our order to arrive. We talked about jazz, MSNBC and Rachel Maddow, as well as Deepak Chopra and philosophy. He was a terrific guy, kind-hearted but with an ascerbic wit as well as being a tremendous sax player. Joe lost his battle with cancer on March 25, at the age of 83. There was a tribute jazz concert at Dizzy’s on May 24 but I was on the road and could not attend. R.I.P, Joe.

thF47HHXVA

The Friendship Communication Church (FCC)

“And the voice said ‘Daddy, there’s a million pigeons
Ready to be hooked on new religions.
Hit the road, Daddy.
Leave your common law wife,
Spread the religion of the rhythm of life.’”
      From the musical, Sweet Charity, song “The Rhythm of Life”
      Music by Cy Coleman, Lyrics by Dorothy Fields

Someone once said (I think it was me) that when you think you are “playing the system”, the system is actually playing you. Essentially we are all playing each other. In 1969, Timothy Leary said, “You can be anyone this time around.” In the same year Firesign Theatre said “How can you be two places at once when you’re not anywhere at all.” They were also known to say “We are all bozos on this bus.” I’m not afraid to admit my bozoness. So what does that have to do with anything? Well, to begin with, we are not who we think we are. We are a weird (or unique; take your pick) conglomeration of experiences we have had with our environment, and especially the people with whom we have associated over our lifetime. I am you; you are me; and there we be… musical tastes included. The music I have grown to love and appreciate is to a degree the result of people in my life sharing music they love to listen to. Radio and television have also been contributors – again, the result of disc jockeys, program directors, and others who decided what to air. But not all of it comes from these interactions. In the past 2 decades I have become obsessive about surfing the Internet, in search of the lost chord. I search out music to satisfy my curiosity. I read books about music and then search it out – testing the waters to see if it is something I want to add to my library. But again, some person had to write that book or post that article. On a local level, I search out artists to watch and hear perform, and out of this have sprung friendships as well as opportunities to experience even more music. As a matter of fact, this blog is the result of my sharing ideas about doing this with a local artist who enthusiastically encouraged me to get started. I bet she regrets encouraging me!!!

So let me share with you some of my most recent experiences regarding the local music scene….roll the film.

IMG_2288

Featured image

Featured image

September 18, at 98 Bottles, Jamie Shadowlight and Naganuma Dance: (sub)merge
We had no idea what to expect but knew this performance was going to be a combination of music and dance, and would be profoundly unique. I will try my best to objectively describe what took place. Performing musically: Jamie Shadowlight on violin, maracas, and singing bowl, Anita Weedmark on piano, Erdis Maxhelaku on cello and djembe, and John Noble on modular synth. Primary dancers were Darcy Naganuma and Aurora Lagattuta. Sometimes they, too, contributed to the sound with maracas and other items. Plus, Darcy read a few paragraphs from what appeared to be a dairy or biography. Many in the audience were from Naganuma Dance and Aurora’s classes. At one point Darcy and Aurora went into the audience, gave a light kiss and whispered something to certain people (from their classes), and then brought them onto the stage area to participate in a free-form dance. But I am getting ahead of myself; let me begin at the beginning. Right before the performance began Jamie, Darcy, and Aurora brought pen and paper to each table instructing us to write ideas that come to mind as the performance progressed. It was a way for the audience to participate. Instructions were intentionally vague to leave open any inspiration that we experienced. Then it began, with Jamie shaking a maraca and Erdis on djembe while Anita created a rumbling, rolling sound with the piano. The performers were yelling and stomping their feet and encouraged the audience to do likewise. Then come the dancers, marching in like little toy soldiers with limited movement. From there they evolved into puppet-like movements, and then broke free of the strings. By this time Jamie had transitioned to violin and Erdis to cello, part droning, part improvisational jamming, playing off the dancers and the dancers playing off the musicians. The dancing and music seemed to flow in patterns like ocean waves and it was impossible to anticipate the next thing to hit the senses. The performance continued in this manner, with the audience never knowing what to expect. Once it was over, they collected the papers. Only two people (I was one of them) had written anything. Aurora read what we wrote for the audience to hear. It was explained that everything we experienced was improvised, in-the-moment, feeding off each other. This included what we, the audience, wrote…or didn’t write. Silence can speak volumes. This stream-of-consciousness expression of self, artistry, and love was nearly overwhelming and left us a bit lighter as we found our way back to the car. As we walked past the Casbah and the sound of loud, raucous rock, I smiled and considered even that and the sound of the traffic to be part of the experience. We were all, indeed, submerged in ourselves and each other that evening and it was spellbinding.

IMG_2301

L to R: Erdis Maxhelaku, Aurora Lagattuta, Jamie Shadowlight, Darcy Naganuma, Anita Weedmark, and John Noble

Adams Avenue 34th Street Fair – September 26 & 27
The turnout at this event was huge considering the unbearable heat. Walking about the Street Fair I felt like I was being microwaved. I quickly turned my attention away from the heat, kept hydrated with water, and focused on the music. First up, on Saturday, we headed for Java Joe’s where The Zicas were performing. The Zicas play the music of Brazil. Three performers played percussion, guitar, and cavaquinho (a small Brazilian/Portuguese guitar-like instrument). They were great players and fun to watch, with their little antics. They reaffirm my love of the Brazilian culture and music.

Featured image

Next up we ventured over to the Hawley Blues Stage to hear The BlueFrog Band. While rooted in Chicago electric blues, there is a definite mix of r&b and 70s rock for good measure. Blue Frog is Patrick Ellis, who sings, plays a mean blues harp and electric guitar. Dave Keefer was on lead guitar and took lead vocals on some songs. There was also a bass player and drummer but I didn’t catch their names. The big surprise was that Sue Palmer was on keyboards. Sue has her own band (Motel Swing Orchestra) and is quite renowned in San Diego as a great jazz keyboardist. The mix was heaven. Sue added a boogie woogie element to some songs that worked perfectly.

Featured image
We returned to Java Joe’s to hear Shawn Rohlf & The 7th Day Buskers, with the added treat of Joey Harris from Beat Farmers/Farmers fame playing guitar and doing backing vocals. This is an Americana/old time music band with string bass, drums (consisting of snare, high hat and a suitcase replacing bass drum), and two guitarists – Shawn Rohlf and Joey Harris. Songs were all written by Shawn. They are a fun group to watch; great showmen all. The expressions on Joey’s face are priceless.

Featured image
We took a break to eat lunch at Demille’s and caught the end of Steve Poltz’ performance at the Demilles Stage. Then back to Java Joe’s, where we have another entertaining and talented performer. Gregory Page presented an impeccable performance of music both from and in a style of a bygone era, when old hand-cranked Victrolas were all the rage. He also read some of his poems. Gregory has such a peaceful and warm aura about him. I always walk away with a sublime feeling after seeing him perform. Owen Burke joined Gregory on homemade percussion for some songs.

Featured image
We ended the day at the Demilles Stage with Bass Clef Experiment, consisting of Greg Gohde on bass, Mike Alvarez on electric cello, and Owen Burke on drums. They did some of their own music as well as popular 60s tunes like “Mercy, Mercy, Mercy” and an impressive version of The Beatles’ “I Am the Walrus”. Half way through their set, Dave Humphries joined them on guitar and vocals, performing some of his own songs as well as many 60s hits, ending the set with a totally mind-blowing version of The Beatles’ “Tomorrow Never Knows”. Dave told some stories about working with Tony Sheridan as well as the surviving member of Badfinger, Joey Mulland. He performed the Badfinger hit “Day After Day”. We are lucky to have Dave living and performing in San Diego.

Featured image

Featured image

Sunday we arrived later due to the heat. Late afternoon we saw Gregory Page again, followed by country/Americana band, Podunk Nowhere. Great songwriting, guitar picking, and singing from Heather and Johnny Janiga who performed with a bass player (who also played high hat) but I did not catch his name. Heather has to be from Texas or somewhere in the south with her subtle twang – something that is not native to San Diego, but charming. She has a beautifully expressive delivery. Johnny is very laid back but a very articulate player and even added a little dissonance to the chord arrangements to wise effect on one of the songs.

Featured image

Featured image
Closing out the Street Fair at the Adams Park Groove, we saw Tori Roze and The Hot Mess with a funky, jazz/rock set. Tori’s singing will knock you right out of your shoes! She can go from gentle and angelic to powerful and gutsy in a matter of seconds. Her mother was on flute and backing vocals. I can tell where Tori’s angelic vocals come from. Bass and drums held down the funky rhythms while the trombone and guitar took things off into a jazz universe. Tori occasionally played trumpet, augmenting the jazzier side of things. They are fun to watch and even more enjoyable to listen to. What a great band to close out the Street Fair.

Featured image

IMG_2391
We missed many bands we would have liked to have heard, such as Blue Largo (with special guest Taryn Donath), The Rugburns, 22 Kings, Lion Cut, Billy Watson & The Submariners, Robin Henkel. But strategic decisions had to be made. The Popeswami consulted the stars and I-Ching to decide on the perfect solution to a perfect weekend.Travelling home we witnessed the beginning of a full moon lunar eclipse, and continued watching from our back deck at home. It will probably be the last one in my lifetime.
In my next installment, I will not be discussing local bands. Let’s just say it will be interesting and keep it at that for the moment. Happy October!

Featured image